His movies are famous for their violence and bloodshed; their blaring soundtracks; their offbeat, Pinteresque dialogue; their startling performances from actors you had almost forgotten about.
Tarantino Vs Tarantino
Quentin Tarantino‘s movies are mostly made up of nonlinear narratives. His movies are subject to Glorification of violence. His subjects are revenge and justice, which are indifferent from many other filmmaker’s subjects, however, what he can make out of it can completely be different in projection from the others. He’s inspired by movies from different genres made in the past, he brings old elements in his own story and mash’em up into a single theme containing of a justice seeking protagonist. He’s an amazing collaborator and a magnificent music connoisseur —picking background scores himself for his evenly eclectic scenes from the movies.
Tarantino’s repetitive and very much predictable, yet his craftsmanship is on a level of a such class that he can always get away with it by creating a niche piece of thoughtful movie that can cache on his superb direction and trademarks.
Starting from Reservoir Dogs to Django Unchained, his movies experienced a gradual development in story telling. His characters grew up and so did his film-making ability. He leaped from only telling an amazing story through nonlinear narratives and his Trademarked elements to more of a conventional narratives with his Trademarked elements still intact and flourishing.
The Tarantino we know today is different from the Tarantino that existed 10-15 years ago. His craft haven’t changed much and he still carries the same panache as before. His movies still follow similar story line; Loss, trail, retribution and revenge, however, his ability as a film-maker has grown to even wider and unimaginable horizons and he can now implore things that were rarely seen in his previous movies. We all know him best for his rougher cut movies, now they are more fine cut and well-tuned.
Advent of Grindhouse mashed with Spaghetti Western+Slasher and Retro Sound
Grindhouse is the most commercial theme of Tarantino’s movies. He creates an unimaginable concoction of Grindhouse with spaghetti western and slasher. Now, slashing always has a greater purpose in his movies. Beatrice Kiddo couldn’t have gone away without slicing, dicing and chopping her enemies nor Sin City could have even more brutal without it.
There are many ways of torturing a character in Tarantino’s universe, you can either shoot them with a shotgun from a close range, cut off their limbs with a Ninja sword or just pluck out their eyes so they can’t see again their entire life. He can bring out the aesthetics and beauty of action well contrasted with the backdrop of the scenes; be it machine gun shooting Nazi occupied Germany, the Antebellum era with black slaves plucking out cotton or the fast food joint at Los Angeles.
“Music sets your soul free.” Sure it does! He has a rare quality of picking unconventional sound for the very right scene. Isn’t it weird to hear a Jazz playing in the background when Django’s busy killing his enemies in a White supremacist South? That’s very unconventional.
Most Clichéd about Tarantino
1. Blood Spillage
Tarantino pleasures blood. Blood plays a significant role in his movies. A movie without fountain of blood spouting out of someone recently sliced arm is non existent in his world. The gushing out of red fluid from a human body describes the occurrence of two things, either the crime has been committed or the justice has been served.
The malevolent practice of glamorizing blood spillage defines Tarantino’s style of brutality.
Tarantino loves massacre. The protagonist’s lust for killing and finding the way through to accomplish the mission is what drives the entire movie. It won’t start until the protagonist kill his first victim and move on through the large crowd of dead before killing the only person that matters.
Homicide has a greater purpose of retribution for Tarantino and his characters. Killing is a need but pleasure. Antagonists in his movies are surrounded and covered by numerous henchmen or bodyguards, taking them off before killing the antagonist is essential because; to ensure nobody comes around from the back and stab you while your on the verge of your mission and to minimize the chance of leaving behind a potential nemesis.
3. Triumph of Truth and Justice
Tarantino supports the very idea of Truth and Justice. Audience may find his movie violent and all gore but that doesn’t mean the theme of it’s all about killing people. The greater idea is always the triumph of truth and justice through retribution. A protagonist always finds a way to seek justice, in the case of Tarantino’s movies they only find it after quenching their thirst for revenge by killing every man on sight that differs with them.
It’s has never been a case when an antagonist has gotten away from the final scene without getting what he deserves. Beatrice Kiddo manages to kill Bill at the end and quench her revenge, so does Lt. Aldo Raine, he carves a SWASTIKA over Landa’s forehead to remind him of his wrongdoing for all his remaining life, and Django avenging the brutal torture he and his family suffered from the Slave owners and their henchmen.
At the end, Justice is always served. May the degree of treating a crime differ from many conventional films or what’s defined by the Standard Law, the ultimate reason for which justice stands is always served at the end.
My Big List
(Best Tarantino’s movies, listed #9 to #1)
Jackie brown (1997)
Death Proof (2007)
True Romance (1993)
Sin City (2005)
Reservoir Dogs (1992)
Django Unchained (2012)
Pulp Fiction (1994)
Inglorious Basterds (2010)
Kill Bill (2004)